For my Quartet, Quintet and Trio records  I have typically used one set-up.

           A 1999 Gibson ES-335 

A 1966 Fender twin reverb with relatively new celestion vintage 30 speakers run stereo with either a Walter woods head or a 1966 Blackface Fender showman through a Pacific 1x12 cabinet with an EV speaker. I use an Electro Harmonix Deluxe memory man analog delay from which I run the wet signal to the Walter woods - or - showman and the dry signal to the Fender twin on which I use a little of the spring reverb in the amp.

 

W/ DICE

A 1965 Fender Stratocaster, 1956 Fender Telecaster and a 2009 Gibson Les Paul

A 1971 Marshall 50W "Bass" head thru a Swanson 2x12 or Fender Bassman 2x12 cabinet

A 1966 Fender Vibrolux Reverb

       

          I use different configurations of guitars and amps depending on the situation. These include various Fender, Gibson, Martin, Harmony,

          Humphrey, Pedro De Miguel and Silvertone Guitars as well as Fender, Gibson, Magnatone, Divided by 13 and Marshall amplifiers.


          EFFECTS

 

My effects set up is usually relatively simple. Here are a few of the things I use in addition to what I've already listed. 

 

          OVERDRIVE/DISTORTION

 

(The great majority of "distortion" tones I get are created by turning my amps up loud enough to get the power tubes to naturally distort.) 

Late 1970's Ibanez tube screamer TS-808
Early 1980's Ibanez tube screamer TS-9

1980s Boss OD 1

Vemuram "Jan ray"
Honda soundworks Fab tornado
Honda soundworks Fab cream

JMI Treble booster

 

DELAY

EH Memory man

1980s Boss DM2

ROSS Stereo Delay

Ibanez AD9

REVERB

1963 Fender Reverb

BOSS Fender Deluxe Reverb

MODULATION

1970s MXR (Script) Phase 90

1980s MXR (Block) Phase 90

1980s BOSS CE-2 Chorus

1970s MAESTRO Sample & Hold

ATTENUATORS

SPL Reducer

THD Hot Plate

I endorse D'addario strings

© 2020 Adam Rogers